Sunday Morning Shake! DJ Pat K on DJ Roulette

Sunday morning on DJ Roulette, DJ Pat K returns with another episode of Make With The Shake! Seriously shakin' rock & soul guaranteed to spill your coffee and send your flapjacks flying! Tune in at 11AM EST on wfmu.org!

Sunday on DJ Roulette: DJ Pat K returns with Make With the Shake

Brew up some coffee, skip church, and put on your dancing slippers, because DJ Pat K is back with another edition of Make With The Shake on DJ Roulette Sunday morning at 11am EST! Tune in for some classic rock 'n soul groovers guaranteed to start your Sunday with some shakin'!

DJ Roulette with DJ Pat K - Sunday 9/18 11am EST!

Sunday morning on DJ Roulette, DJ Pat K stops by with some soul, surf, psych, and assorted weirdness on 45rpm at 11am EST! The second half of the show will feature a special exclusive tour of rare 1960s Buffalo, NY garage 45s from the finest purveyors of fuzz to ever emerge from the Nickel City! Have a little shake with your morning coffee!

Here's a preview, courtesy of long-lost stompers from the shores of Lake Erie, The Rogues:

Sunday 11am | Pat K returns to DJ Roulette!

Tune in Sunday morning as DJ Pat K makes a return visit to "DJ Roulette" with a set of 100%-certified wigflippers from 11am-12pm EST! Get down with the WOW sound at point your antennae to wfmu.org!

This Sunday on DJ Roulette, DJ Pat K returns with another edition of "Make With The Shake" from 11am to 12pm EST. Tune at wfmu.org (or via WFMU's swanky custom mobile app for iPhone or Android) for a Sunday morning dose of the finest 45rpm rock & soul hipshakers, guaranteed to scramble your eggs, burn your toast, and pop your percolator!

The Real Nitty Gritty TODAY at 11:00 AM ET on DJ Roulette

Coming up this morning at 11:00 ET on WFMU's Rock-n-Soul ICHIBAN, The Real Nitty Gritty is up on DJ Roulette! Spinning platters to accompany your Sunday morning brunch or your evening cocktail, depending where in the world you're listening from. Follow the link for the live stream: https://wfmu.org/playlists/RI?fbclid=IwAR0IjpnHqK_YYXvBBaIZ3q6G2U7j5U98LaXrr-VEKLq27lbUv5WOh9eSgu0

Today on DJ Roulette: "Make With The Shake" with DJ Pat K!!

Skip church and have a little shake with your Sunday morning coffee as DJ Pat K brings "Make With the Shake" to DJ Roulette!

If You Don't Like Kristofferson

Jack Sanders: The Viet Nam Blues

Anita Carter: Loving Him Was Easier

Al Green: For The Good Times

Sam Baker: Sugarman

Kris Kristofferson with Joan Baez: The Taker (wr. with Shel Silverstein)

The Everly Brothers: Casey's Last Ride

Sammi Smith: Help Me Make It Through The Night

Faron Young: Your Time's Comin' (wr. with Shel Silverstein)

Jerry Lee Lewis: Once More With Feeling (wr. with Shel Silverstein)

Roger Miller: Jody And The Kid

Tompall & The Glaser Brothers: Lovin' Her Was Easier (Than Anything I'll Ever Do Again)

Hank Williams, Jr.: If You Don't Like Hank Williams

Janis Joplin: Me And Bobby McGee

Perry Como: For The Good Times

Waylon Jennings: Casey's Last Ride

Sammi Smith: I've Got To Have You

Johnny Cash: Sunday Morning Coming Down (live at Folsom Prison)

 

Debbie D Archives

Lynn Anderson - Sunday Morning Coming Down
Danny Stiles - ID
Big John Hamilton & Doris Allen
LaVel Moore- The World Is Changing
Aretha Franklin - Groovin'
Allen Toussaint - We The People
Spanky & Our Gang - I'd Like To Get To Know You
Bob & Fred - I'll Be On My Way
Bobby Womack - Broadway Walk
The Fantastic Johnny C - Boogaloo Down Broadway
Johnny Talbot - Whatcha Wanna Do Pt. 1
Tarheel Slim - Wild Cat Tamer
Thelma Baxter - Poppa Stoppa
Little Junior Parker - Feelin' Good
G.L. Crocket - It's A Man Down There
Jimmy Reed - I'm That Man Down There
Trick Baby Radio Spot
 Big Dany Oliver - Saffire
 Left Hand Charlie - Whole Lotta Drinkin' On The Block
Johnny Adams - Spunky Onions
Small Faces - Tin Soldiers

DJ Roulette With Pat K!

Join us every Sunday morning at 11 AM on WFMU's Rock 'n' Soul Ichiban webstream for DJ Roulette.  Each week, we will feature a different Boss Jock from around the globe.  This week, Mr. Lucky, Pat K from Buffalo New York spins some of his favorite surf, soul & hipshaker 45s.

Playlist/Comments

If you'd like to be a guest on DJ Roulette, send your hour long mp3 show + playlist to Debbie@wfmu.org.

Obscure hits from the 50s - 60s only, please.

Country A Go-Go

 

With Debbie D

Merle Haggard - Ramblin’ Fever

Duane Eddy - Lonesome Road 

David Allan Coe - Lately I’ve Been Thinking Too Much Lately

Jessi Colter - Why You Been Gone So Long

Willie Nelson - Me And Paul

Dorsey Burnett - How The Bad Bug Bites

Johnny Cash - What Is Truth

Jean Shepard - The Root Of All Evil (Is A Man)

Chuck Berry - Surfin’ Steel

Billie Jo Spears - Souvenirs and California Memories

Kris Kristofferson - Loving Her Was Easier (Than Anything I’ll Ever Do Again)

Lynn Anderson - Sunday Morning Coming Down

Sammi Smith - Help Me Make It Through The Night

Bobby Darin - Change

Country All-Stars - I’ll See You In My Dreams

Tammy Wynette - Good Lovin’ (Makes It Right)

Waylon Jennings - Honky Tonk Heroes

Flatt & Scruggs - Rainy Day Women #12 & #35

Bobby Smith and The Boys From Shiloh - Stop, Look and Listen

Jim And Jesse - Roll Over Beethoven

Jim And Jesse - Farewell Blues

Little Richard - Greenwood, Mississippi

Capitol Records

 

With Mark Ehmcke

1. Nobody But Me - The Human Beinz

2. Blackberry Boogie - Tennessee Ernie Ford

3. We Gotta Get Out Of This Place - David McCallum

4. I Don't Care - Buck Owens and the Buckaroos

5. (Get Your Kicks On) Route 66 - Nat King Cole

6. Lonely Sea - The Beach Boys

7. Okolona River Bottom Band - Bobbie Gentry

8. We're Havin' A Love In - Gypsy Boots

9. Congo Train - Les Baxter

10. Down The Road A Piece - Ella Mae Morse

11. Baby Loves Him - Wanda Jackson

12. Teeny Boppin' Child - Kelly Gordon

13. Time Won't Let Me - The Outsiders

14. Heartbreak Hotel - Stan Freberg

15. I've Got A Right To Sing The Blues - Louis Prima and Keely Smith

16. Mañana - Peggy Lee

17. Shade Tree (Fix It Man) - Merle Haggard

18. Wack Wack - Mariano and the Unbelievables

19. Yiddishe Mambo - Mickey Katz

20. The Smile - David Axelrod

21. Hot Rod Hootenanny - Mr. Gasser and the Weirdos

22. Sunday Morning - Glen Campbell and Bobbie Gentry

23. Jambalaya - Jo Stafford

24. Living In The USA - Steve Miller Band

Gin & Orange Show #4 Airs This Morning!!!

THIS MORNING!!!

Gin & Orange show #4 airs on WFMU’s Rock ’n’ Soul Ichiban – 11am/10c!!! Share a breakfast margarita with me, Benny Gordon, Freddy Butler, Johnny Lytle, Nara Leão, Candido, and many others!!! Live chat and playlist!!! Start your Sunday, soulfully!!!

listen/chat/playlist: wfmu.org/playlists/shows/86837

Monkees Mania

Review and Photos: Jacob Blickenstaff

The Monkees, reunited with guitarist Michael Nesmith for the first time since disbanding in 1971 (not counting a few fitful UK dates in 1997), played the final show of their US tour at the Beacon Theater on December 2, 2012. The reunion with Micky Dolenz and Peter Tork came after - and possibly as a result of - the untimely death of Davy Jones last February.

Even while reverting to playful bits of vaudeville humor between songs, The Monkees mostly avoided schtick and focused on the great and under appreciated value of their music (cough, cough, Rock and Roll Hall of Fame, cough). The group dug deeply into album tracks, including sections devoted to "HEAD" and lesser known tracks from "Headquarters," the self-produced album that The Monkees released to assert their autonomy as a band.  This did not detract from their well-loved and exceptionally crafted hits, many of which, as Dolenz pointed out, were written by stellar talents such as Tommy Boyce and Bobby Hart, Gerry Goffin and Carole King, Neil Diamond, Barry Mann and Cynthia Weill, and Harry Nilsson, among others.

Embracing their innovative role within television and film, the stage setup prominently featured a continuous video projection that collaged and referenced everything from campy cash-in TV commercials to clips from the subversive, satirical film "HEAD." Video montages were used twice to pay tribute to Davy Jones, and when it was time for "Daydream Believer" (Jones' signature song) Dolenz invited a young woman from the audience to lead an audience sing-along.

Despite the absence of Davy Jones' irreplaceable charm and charisma, the concert scratched a deep itch on Monkees fans' backs, honoring the depth and creativity of their music while becoming again, for two vivid, flickering  hours, the multimedia pop-culture stars they are.  By embracing both their creative and pop-culture powers (as their best work always has) the concert resolved the paradox of The Monkees;  born inside a cathode ray test tube, they emerged as musical artists yet remained inside the medium, reconciling the artistry and artifice with integrity in a way that no 90's boy band or American Idol has yet to do.

Set List - Beacon Theater, December 2 , 2012
Compiled by Teri Landi

Last Train To Clarksville (Micky lead vocal)

Papa Gene's Blues (Mike lead vocal)

Your Auntie Grizelda (Peter lead vocal)

She (Micky lead vocal)
Sweet Young Thing (Mike lead vocal, Micky on brushes and box)
I'm A Believer (Micky lead vocal)
I'm Not Your Steppin' Stone (Micky lead vocal)

I Wanna Be Free (Davy Jones video tribute)

HEADQUARTERS SECTION:

You Told Me (Mike lead vocal)
Sunny Girlfriend (Mike lead vocal)
You Just May Be The One (Mike lead vocal)

Mary, Mary (Micky lead vocal)
The Girl I Knew Somewhere (Micky lead vocal)
For Pete's Sake (Peter lead vocal)

Early Morning Blues And Greens (Peter lead vocal)
Randy Scouse Git (Micky lead vocal & kettle drum)

Daily Nightly (Micky lead vocal, Mike making Moog synth noises)

Tapioca Tundra (Mike lead vocal)
Goin' Down (Micky lead vocal)

HEAD SECTION:

Porpoise Song (Micky lead vocal)

Daddy's Song (Davy Jones video tribute, dance clip from movie - band synchs to Davy's vocal & original track)
Can You Dig It? (Micky lead vocal)
As We Go Along (Micky lead vocal)
Circle Sky (Mike lead vocal)

Do I Have To Do This All Over Again? (Peter lead vocal)

Davy Jones video tribute (various songs)

Daydream Believer (audience sing along with Micky)
What Am I Doing Hangin' 'Round? (Mike lead vocal, Peter on banjo)

ENCORE:

Listen To The Band (Mike lead vocal)
Pleasant Valley Sunday (Micky lead vocal)

NEVER YOU MIND - The Real Nitty Gritty is up next this morning on ICHIBAN

You don't gotta get up to get down. New episode of The Real Nitty Gritty up next at 11:00 AM ET on WFMU's Rock-n-Soul ICHIBAN DJ Roulette! Savage R&B, greasy rockabilly, gutbucket blues, gruesome garage, sweaty soul, & sleazy instrotrash platters to start yer Sunday right! Follow the link for the live stream: http://wfmu.org/playlists/RG…

The Real Nitty Gritty - Sunday September 8 at 11:00 AM on ICHIBAN's DJ ROULETTE

Listen to The Real Nitty Gritty this morning at 11:00 AM ET on WFMU's Rock-n-Soul ICHIBAN DJ Roulette! savage R&B, greasy rockabilly, gutbucket blues, gruesome garage, sweaty soul, & sleazy instrotrash platters...Follow the link for the live stream: https://wfmu.org/playlists/RI…

Monday Sun Coming Up

 

With Dusty Digger

1. No Me Pidas (Don't Ask Me) (1971) -- Grupo de Experimentación Sonora Sonora del ICAIC (Cuba)

2. Dance Of The Talking Flowers (1969) -- Peter Howell & John Ferdinando (England)

3. Some Velvet Morning (1968) -- Gabor Szabo (Hungary)

4. Carnival Of Love (1969) -- Stone Circus (Canada)

5. Colinda (1969) -- Pugh Rogefeldt (Sweden)

6. Make-A-Love (1965) -- Little Frankie & The Country Gentlemen (England)

7. Witchitai-To (1971) -- Jim Pepper (USA)

8. From Saturday To Sunday (1970) -- No To Co (Poland)

9. Il Part En Californie (1969) -- Bernard Chabert (France)

10. Watcha (1965) -- Quinteto Académico (Portugal)

11. Time Will Show The Wiser (1967) -- The Merry-Go-Round (USA)

12. There Ain't No Use In Hanging On (1967) -- The Marmalade (Scotland)

13. Grey Seal (1969) -- Elton John (England)

14. No Me Gusta Decir Sí (1967) -- Los Pasos (Spain)

15. Heaven Is In Your Mind (1967) -- Traffic (England)

16. Seagull's Song (1970) -- Tim Hollier (England)

17. Magdalena (1969) -- Lasting Weep (Canada)

THIS MORNING – Gin & Orange show #5 airs at 11am/10c on WFMU’s Rock ’n’ Soul Ichiban... It's a recipe for escape – make a strong Bloody Mary and start your Sunday soulfully – hang out for an hour with me, Jimmy Smith, Willie Bobo, Big John Patton, Astrud Gilberto, and many other fine folks...

listen/chat/playlist: http://wfmu.org/playlists/shows/87427

Joe Meek : an Ichiban Hero

This documentary was on the Ichiban stream Sunday 2 June 2019. You can listen to the archive here : http://wfmu.org/playlists/shows/86214

BED : Tornados - Jungle Fever

Thanks for tuning in to this special edition of the Whig Out, Joe Meek, an Ichiban Hero. Thanks to Richard and Glynis for their support and for letting me sit in today and to my friend Kieron for his helpful advice. I'm going to play some Ichiban favorites that you'll recognize, as well as some tracks that may be new to you. I don't claim to be an expert on Joe Meek, but I'll do my best to tell his story in the next hour.

MUSIC : John Leyton - Johnny Remember Me

BED : Moontrekkers - Night of the Vampire

Why is Joe Meek an Ichiban hero ?

Joe Meek was an English recording engineer and record producer, mainly active in the early 60s. He was a one-man revolution, an outsider and innovator, he did everything his own way, refusing to be controlled by the powerful major labels, producing his own hits and leasing recordings to the majors on his own terms.

Chapter 1 : Recording techniques

When Joe arrived on the scene in the late 50s, the particularly staid British recording establishment, who were still wearing white lab coats, viewed their job as accurately capturing a live performance. Joe had a different perspective, fueled by boundless creative talent and imagination.

He pioneered, in England, techniques literally considered wrong by major British recording studios.

CLIP : Kerridge Lansdowne

When Meek's innovative ideas were rejected at Lansdowne, he quit his job and opened his own studio in an apartment above a London leather-goods shop.

CLIP : Screaming Lord Sutch broom incident

MUSIC : Screaming Lord Sutch & The Savages - She's Fallen In Love With The Monster Man

BED : Cherry Wainer - Cerveza

At 304 Holloway Road, Joe conceived a new way to make hit records with recordings that jumped out of the speakers on crappy radios and record players, creating extraordinary, unique pop recordings that would catch peoples' ears.

CLIP : Jonathan King kick drum recording

Joe Meek was a pioneer in using the recording studio as an instrument, creating sounds without the restrictions of a live performance.

choosing non-standard microphones

close miking

overloading devices and pushing signals into the red for distortion

using massive compression and limiting

taking direct input from the bass

natural echo

tape echo

spring reverb

flanging

overdubbing and layering

speeding up vocals or the whole tape

…not to mention wild sound effects, often using unexpected techniques like repeatedly dropping a toilet chain into an old biscuit tin, which you can hear in this song.

MUSIC : David John & The Mood - Bring It To Jerome

BED : Freddie Starr and the Midnighters - Peter Gunn Locomotion

Ironically, by the time of his death, Joe's recording techniques had become standard for recording rock music. However, his approach frustrated some performers, who weren't able to get the sound of the records when they played live. To record Have I the Right by the Honeycombs, he had people stamp out the beat on the wooden stairs of the studio and recorded that noise with five microphones he had fixed to the banisters with bicycle clips. It reached #1 on the British charts in August 1964 and sold over 2 million copies worldwide.

MUSIC : Honeycombs - Have I the Right

Chapter 2 : Independence, the outsider

BED : Outlaws - Sioux Serenade

Joe kept his independence and control by making his own recordings in his own studio and licensing them to the big labels, so that he profited from their pressing facilities and distribution networks. Because he was making hits, the majors were obliged to work with him, but the relationship remained tense and they considered him a threat.

CLIP : Meek watch them like a hawk

There were UK indie labels in this period but not to the vast extent found in the US at that time. In any case, Joe was targeting the mainstream, much like the bigger indies in the US.

He even started his own label, Triumph, but lack of access to big pressing plants meant that his first potential hit could not be produced rapidly in large quantities, putting the brakes on what might have been a #1 record.

SONG : Michael Cox - Angela Jones

BED : Fabulous Flee-Rakkers - Green Jeans

Johnny Remember Me by John Leyton, which we heard earlier, was another story of Joe's combat with the establishment. BBC radio blacklisted the record, but Meek found a way around them, getting the song performed on a popular TV series. The record hit #1 in the UK in August 1961, sold 500,000 copies and became "Record of the Year".

This made his reputation, as well as Telstar, by the Tornados, which was the first single by a British band to reach number one on the U.S. charts in December 1962. It was written and produced by Joe Meek, and featured his wild production techniques as well as a clavioline, a mutant keyboard instrument.

In 1963 he produced the film "Live it Up" featuring many of his top artists in order to promote their records.

Joe was always an outsider, in terms of business and in terms of production, but also in terms of content. His Tribute To Buddy Holly came from holding seances, Johnny Remember Me concerns the afterlife and connected with the trend in death discs. ‎we'll talk shortly about his sexual politics and in particular the track Do You Come Here Often.

MUSIC : Outlaws - Shake with Me

Chapter 3 : His unique vision and style

BED : Saints - Wipe Out

Joe had an instinctive, commercial ear.

He also had a vision of a market where teenagers were buying records made for them, rather than the boring adult records that dominated sales.

He tried everything, including so-called death discs, poppy ballads, space age pop, girl group sounds, surf, jazz and country. He had a roster of bands that he produced and recorded, including Screaming Lord Sutch, and he did his own A&R.

His innovative recording techniques meant that his records sounded like no one else's.

MUSIC : Neil Christian and the Crusaders - Big Beat Drum

BED : Original Checkmates - the Spy

Fueled by his vision, plus amphetamines, Joe Meek took a manic approach to recording and production. From 1960 to 1966 he produced about 700 recordings. He composed and wrote lyrics for about 250 of them. Between 62 and 65, he released 141 records, 24 of which made the British top 40.

But after his death in 1967, 4,000 more hours of music were salvaged in his studio by Cliff Cooper of the Millionaires, who bought them for 300 pounds sterling.

Joe Meek's records are marked RGM sound recording, for (Robert George Meek),  or Meeksville Sound after his 1964 split with his financial associate "Major" Banks.

MUSIC : Glenda Collins - This Little Girl's Gone Rockin

MUSIC : Danny Rivers and the Rivermen - Movin' In

Chapter 4 : Sexual politics

BED/MUSIC : Tornados - Do You Come Here Often

In the early 60s, homosexuality was still illegal in the UK, as it was, by the way, in almost every state in the US, and persecution and criminal prosecution were very real threats to Joe Meek.

CLIP : Goddard arrest

'Have I the Right?' by the Honeycombs, a summer hit in 1964, can easily be interpreted as a strong statement concerning the suppression of his right to express his sexuality.

CLIP : Pink pressure

Living daily with this oppression, Joe came up with an even more remarkable statement of sexual politics on a Tornados B-side from 1966, which proved that Columbia records literally hadn't listened to what they were putting out - if they had, it would have been instantly rejected.

After a long stretch of an instrumental track, 'Do You Come Here Often?' includes a conversation between two men in a gay bar.

John Savage, in an essay in the Guardian, calls a it a true slice of queer life, and an extraordinary achievement. 

Chapter 5 : Emotional and mental issues, spiritualism and the occult, financial problems, loss of relevance, increasing use of drugs, paranoia

BED : Spooks - The Spook Walks

Joe had always been spooky: obsessed with other worlds, graveyards and spiritualism. He claimed to be in regular contact with Buddy Holly through the spirit world

CLIP : Goddard seance

The forces working against Joe Meek gathered speed. As John Savage puts it, Jekyll overtook Hyde [sic], as his money troubles and declining fame caused him to increase his pill intake and to dabble further in the occult. He was initially slow to recognize the arrival of British beat and the changes in the music market and had to catch up. He was beaten up and his car was vandalized. He was threatened by gangsters who wanted to take over the Tornados' management. His emotional and sexual orientation was illegal. A copyright dispute froze royalties from Telstar. His paranoia seemed increasingly justified.

MUSIC : Millionaires - Wishing Well

BED : Packabeats - Theme From The Traitors

Joe bought out his partner, "Major" Banks, and found himself with huge debts and no financial expertise.

It seems generally agreed that Joe suffered from bipolar disorder and schizophrenia. He also abused speed, leaving symptoms of amphetamine psychosis, and took downers as well.

MUSIC : Jason Eddie and The Centremen - Singing The Blues

Joe's long-standing paranoia intensified. He was convinced that competitors were spying on him, he tore off the wallpaper searching for hidden microphones.

CLIP : Sutch bug

There are many stories of violent incidents at the studio, including throwing Tom Jones down the stairs, and I know what you're thinking, that isn't really a bad idea.

CLIP : Clem Cattini Phil Spector

By mid-1966, Joe's mental state was worsening and he was in a downward spiral.

Some people say that he had a progressive loss of relevance with the arrival of British beat, and that he could not adapt to the new bands, which had their own material and their own sound. However, this next set should prove that Joe finally picked up on the trends and was perfectly able to make great beat records while adding his unique touch. We can only guess what he could have potentially achieved.

MUSIC : Paul & Ritchie & The Crying Shames - Come On Back

MUSIC : Buzz - You're Holding Me Down

MUSIC : Blue Rondos - Baby I Go For You

MUSIC : Riot Squad - I Take It That We're Through

MUSIC : Syndicats - Crawdaddy Simone

Chapter 6 Death

BED : Joe Meek & The Blue Men ― Love Dance Of The Saroos

On February 2 1967, Joe Meek burst into a friend's house all dressed in black, saying he was possessed. The next morning, the 18th anniversary of Buddy Holly's death, he blasted his landlady with a shotgun before turning it on himself.

CLIP : Pink shooting

Within a few months, the British law on homosexuality had been struck down and the Telstar copyright trial had finished, releasing most of the royalties.

---

Thanks for listening to Joe Meek, an Ichiban Hero. I'm Jon. Keep it tuned to WFMU's Rock 'n' Soul Ichiban.

MUSIC : Cryin Shames - Please Stay

ON LINE

recording Dracula's Daughter with Screaming Lord Sutch https://youtu.be/CG7rUWrCn4c

Dracula's Daughter clip with Screaming Lord Sutch https://youtu.be/ocS-Nx5ihSs

Excellent article by Jon Savage https://www.theguardian.com/music/2006/nov/12/popandrock28

Live It Up movie (1963) promoting Heinz and other Joe Meek acts https://youtu.be/bJKP5aFhrNk

A Life in the Death of Joe Meek - forthcoming documentary - promo clip https://youtu.be/VxdTq67MRdE

The Strange Story of Joe Meek TV documentary (Arena, 1991) https://youtu.be/0nMSJrfDN44

The Joe Meek Page detailed biographic site http://www.joemeekpage.info/essay_E.htm

Joe Meek Masters of Pop: Melody Makers short documentary https://youtu.be/1PZ_PxAT-mg

Telstar: The Joe Meek Story feature docu-drama 2008 full movie https://youtu.be/od94Gcg9McI

Joe Meek's Bold Techniques - book promo clip - https://youtu.be/_QepdppzYQg

Joe Meek Society http://www.joemeeksociety.org/

Wikipedia https://en.wikipedia.org/wiki/Joe_Meek

Discogs https://www.discogs.com/artist/226551-Joe-Meek 

BOOKS

Joe Meek's Bold Techniques

The Legendary Joe Meek: The Telstar Man