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Wednesday, June 3, 2020

Mid-Week Movie Break: Batman

French film poster for the 1966 film version of Batman.
Zowie! Welcome to this week’s Mid-Week Movie Break. It’s certainly been a crazy several days here in the city of Saint Paul. I’m not going to belabor the point and utilize this ongoing assignment platform as a social soapbox; I’m just going to say that Saturday afternoon, when I needed a breather from the world around me, I sat down with this week’s movie pick. A sort cinematic comfort food, if you will.
From L to R: Catwoman (Lee Meriwhether), The Riddler (Frank Gorshin),
The Penguin (Burgess Meredith) and The Joker (Cesar Romero).

Batman has been done to death. Literally and figuratively. As far as I’m concerned, Adam West is still the quintessential version of the caped crusader, because the 1966 series has all the bright, four-color pop style of the comic books of that era, and has, dare I say it, something else that the comics tried to imbue to their readers once upon a time, and that is joy. 

Batman series producer William Dozier had initially pitched the idea of a Batman movie to 20th Century Fox as a kickstarter for the planned television series. The idea was to have the film released in theaters while the first season of the show was in production, to both establish with the audience the world the characters inhabited, and drum up promotion for the weekly series. 20th Century Fox nixed the idea, realizing that they would have to eat the entire cost of the film if it flopped, and deal with the lackluster viewership that could result, leading to another financial loss if the show failed. Their concerns were ultimately unfounded though, as Batmania exploded like a confetti bomb on the planet in 1966, when the show was used as a mid-season replacement, and pop culture was never the same.

After the success of the first season of the Batman television series, Dozier got the go-ahead to make the feature length production. It was rushed into production after the first season wrapped, primarily to be used as a marketing tool to garner interest in the television show in foreign markets. Four of the most popular villains from the series reprised their adversarial roles for the feature, this time teaming up to tackle the dynamic duo. Frank Gorshin, Cesar Romero and Burgess Meredith returned as The Riddler, The Joker and The Penguin, respectively. First season Catwoman actress Julie Newmar was unable to appear as she was shooting the western Mackenna’s Gold with Gregory Peck and Omar Sharif (and Burgess Meredith, believe it or not), so Lee Meriwether stepped in to fill the skintight black catsuit. 

The plot revolves around the four super-criminals hijacking a ship containing Commodore Schmidlapp (Reginald Denny) and his invention, an instant dehydrator. The four criminals, working as a group dubbed The United Underworld, attempt to kidnap millionaire Bruce Wayne, via setting him up to fall for Catwoman in the guise of Russian reporter Miss Kitka, to lure Batman to his doom. When this fails and Bruce Wayne capably escapes, the United Underworld set their sites on dehydrating the United World Organization. The dynamic duo chase the super-villains back to their submarine made up to look like a giant penguin, and duke it out around many onomatopoeia title cards before ultimately restoring the dehydrated world leaders and restoring peace to the world.

I’ve read conflicting reports about the success of the film regarding its success at the box office. Commentary tracks and interviews given by the actors seem to paint it as a success, while the figures seem to marginalize it as a moderate success. Supposedly the film budget was around $3,200,000, and recouped all of it, with around $3,900,000 is sales. Whether  the success of Batman as a feature was marred by a skeptical public who’d gone to see the The Man From U.N.C.L.E. features, which were essentially two-parter television episodes padded out with some alternate footage and pushed into theaters, or whether Batmania had started to subside by the time the film rolled out July 30th, 1966, about two-and-a-half months after the last two-parter of season one, “Fine Finny Friends” and “Batman Makes The Scene” aired May 4th and 5th respectively, I couldn't say.

Watch the trailer here


Realistically we know that there never truly was a "simpler time," no halcyon era where everyone was happy and everything was perfect, but Batman denotes a notion of a time when perhaps people didn't take themselves as seriously, Maybe that's just nostalgia talking. Regardless, if you haven't seen Batman, I highly recommend you do. It's the right kind of pop culture preposterousness, minus the self-importance, that we could all use a heady dose of right now.

Wednesday, February 22, 2012

Batman - The Bat's Kow Tow Pt.2



IMDb:  Batman and Robin escape Catwoman's trap by hitting the precise note needed to shatter the glass chamber in which they're prisoners. They quickly get on the trail of Catwoman. The feminine feline criminal eventually "steals" the voices of Chad and Jeremy, Commissioner Gordon and talk-show host Allen Stephens. She blackmails the British government, which faces the lost of revenue from the taxes on Chad and Jeremy's performances. Batman and Robin eventually capture Catwoman and her gang, but not before Batman and Catwoman express obvious affection for each other. Written by Bill Koenig

*Note Catwoman's shout out to Ichiban's Mr. March, Roger Miller!

Tuesday, February 21, 2012

Batman - The Cat's Meow Pt. 1




 IMDb:  The Catwoman "steals" the voice of a television talk-show host in the middle of an interview with Bruce Wayne. She plants clues to suggest either the Joker, Riddler or Penguin may have committed the crime. In the meantime, she has fooled Commissioner Gordon into thinking she has gone straight. She makes her first mistake when she masquerades as Miss Klutz, a dance instructor visiting Wayne Manor. Allergic to dogwood, she sneezes and gives herself away. Her next target is to "steal" the voices of British singers Chad and Jeremy. Batman and Robin eventually track her to a dance studio, where a fight erupts. After it appears the Dynamic Duo has triumphed over Catwoman's forces, she drugs them. The heroes are placed inside a chamber where the sounds of water dripping will be magnified many, many times and drive them insane. Written by Bill Koenig
The police believe Catwoman has gone straight; however, the villainess has devious plans for her new voice-stealing device. After using it to silence a TV talk show host and Commissioner Gordon, she sets about to steal the voices of Wayne Manor's latest guests, British singers Chad and Jeremy. Under the guise of a dance instructor, she enters Wayne Manor to collect valuable information about its layout. Batman and Robin pick up her trail when her cover is blown. But unknown to them, Catwoman has a plan to destroy their minds and forever end their crime-fighting career. Written by Twenty Penguins

Next up:  Batman





Sunday, December 26, 2010

Ski Party


Beach Girls - Skiing In The Snow (mp3)


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Saturday, June 6, 2009

Leslie Gore On Batman

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